New Music Box

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Fostering connections, deepening knowledge, encouraging appreciation, and providing financial support for new music created in the United States
Updated: 57 min 10 sec ago

Building Audiences for Post-Genre Artists

Fri, 2017-09-29 04:27
Not only does genre-based language mislead listeners about post-genre music, but it also affects how the music itself is monetized and thus how artists make their living and find their audiences. Hannah Schiller concludes her three-part series with a discussion of roadblocks and possible paths forward.

The Role of Listeners in a Post-Genre Context

Thu, 2017-09-21 08:13
If a composer has no intent of writing within the “classical” genre label, then attempting to understand the piece through a classical lens is irrelevant. But what about the listener? There is no doubt that all listeners have pre-existing connotations surrounding certain types of sounds.

Notes from the Custerdome: A Jazz Appreciation of Steely Dan

Wed, 2017-09-20 08:56
Steely Dan proved that pop music could be harmonically complex and quirky in the early to mid-'70s, when the then-new FM format allowed for longer cuts, and more expansive playlists, genre-wise. But the source of their signature sound was their incorporation of the jazz aesthetic in every aspect of their already broad musical conception.

Thinking About Language in a Post-Genre Context

Thu, 2017-09-14 08:32
Hannah Schiller’s research into polystylism in today's new music led her to question the utility of a genre-based framework entirely. But when those terms are absent, how do we create cohesive language that can be realistically used to discuss and promote music?

Remembering Halim El-Dabh (1921-2017): A Citizen of the “Fourth World”

Wed, 2017-09-13 10:58
According to Tommy McCutchon, "'Fourth World Music' has become a dominant sub-genre designation for any music that combines avant-garde electronic processing with a mélange of world music aesthetics." But Halim El-Dabh (1921-2017) was a citizen of the Fourth World throughout a three-quarter century career as a composer, teacher, and musical thinker.

Harmonies That Welcomed Imagination—Remembering John Abercrombie (1944-2017)

Fri, 2017-09-08 08:00
John Abercrombie set the template for me as far as how to play music with an open mind. The special thing that stands out about John is his natural democratic manner as a player and writer. He could not help it—it's just the way he was.

Orientalism in American Classical Music

Thu, 2017-09-07 07:11
The perpetuation of Orientalism is alive and well in U.S. classical music circles, and it needs to stop. The more conscious we are of our words and actions, the more likely we are to replace them with more humanizing gestures, in hopes of a kinder, more tolerant world.

George Walker: Concise and Precise

Fri, 2017-09-01 08:17
If there’s any quality that distinguishes all of the music of George Walker, who at the age of 95 is still actively composing, it’s its conciseness and preciseness. Walker often creates visceral music, but his compositions are also filled with moments of tenderness and beauty even though, for Walker, beauty might be a by-product but it is never an explicit goal.

Suspending Time and Figuring Out the Impossible—Remembering David Maslanka (1943-2017)

Thu, 2017-08-31 07:00
My first exposure to David Maslanka’s music was a monumental, life changing experience for me as a young college wind band conductor. His music speaks, regardless of the technical proficiency of the individuals or the collective ensemble, and it communicates at a deeply intense and personal level. I grew very close to his music and this quiet, generous man became my dear friend.

New Horizons, Old Barriers

Wed, 2017-08-30 04:49
Funded by the organization Meet The Composer, the New York Philharmonic’s Horizons festivals represented a major shift in how new music was supported in the 1980s, as composers newly embraced the orchestra, turned away from academia, and entered the classical music marketplace. But declining to properly represent the diversity of the American musical landscape was one of its failures.

Composing Xenharmonic Music

Thu, 2017-08-24 04:00
You can throw most of the harmony lessons you’ve ever had right out the window when composing xenharmonic music. Dissonance is just as important as consonance. Any tuning can just as easily sound ugly or exotic or beautiful. In musician speak, if it’s close enough for rock’n’roll, it will sound in tune!

Amateur Hour: Karin Rehnqvist, The City’s Choir, and the Gift that Kept Giving

Wed, 2017-08-23 05:05
Karin Rehnqvist was never afraid of being labeled a composer for amateurs (nor was she afraid of being labeled a feminist), and after numerous commissions from professional ensembles and international performances, she didn’t have to prove herself. The amateur path she started on actually showed itself to be an ideal schooling in outreach and entrepreneurship.

Essential Tools for Xenharmonic Music

Thu, 2017-08-17 04:00
Even if you are an acoustic musician, I suggest expanding your xenharmonic universe into the digital world because there will be more choices of tunings and sounds. And vice versa.

How to Produce Opera Outside the Opera House

Wed, 2017-08-16 04:52
How do you get an opera company to produce an opera that’s not really an opera? You don’t—you do it yourself. But it takes a network of support. Ryan Ebright explores the personal connections and professional collaborators that allowed Steve Reich and Beryl Korot to self-produce their first video opera The Cave.

The Science of Sound and Tunings

Thu, 2017-08-10 04:00
As a composer, what drew me to use scales that have more, or less, notes per octave than our standard twelve-tone tuning–or xenharmonic music–was the boredom that crept up on me over the years of using the same twelve notes over and over, plus a curiosity about other possible tunings and what emotional chords they might strike.

Rediscovering Ives’s Legacy

Tue, 2017-08-08 08:08
As I got older and began to compose, I began to understand why all of my local music teachers talked so much about Charles Ives. It wasn’t what I suspected growing up, that he was a middling-famous composer who happened to have been born in our town. No, they kept talking about Ives because he really is that important.

What is Xenharmonic Music?

Thu, 2017-08-03 04:00
Using a different number of notes per octave, it is possible to write new music with new harmonic relationships that humankind has never heard before.

Chris Brown: Models are Never Complete

Tue, 2017-08-01 04:00
Despite his fascination with extremely dense structures, California-based composer Chris Brown is surprisingly tolerant about loosely interpreting them. Chalk it up to a musical career that has been equally devoted to composing and improvising.

Mentor, Me—Mentoring is Hard

Mon, 2017-07-31 04:00
As a young and very green teacher of both classroom and private students, I have no illusions about making mistakes in my teaching. Teachers face challenges in managing many different personalities in a classroom, particularly in equating vocality with interest or aptitude.

Building Curriculum Diversity: Technique, History, and Performance

Thu, 2017-07-27 04:38
We must build greater gender and racial diversity into curriculums and concert programs so that students may see themselves in history.

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